No Judge, No Jury, No trial. The awful toll of the United States drones.

On December 17, 2011, on this blog, I posted about Iran hijacking a US drone.  Here is the caricature that accompanied the post.

Today I received an email from a friend who asked me to Learn about US military drones and how drones strike and kill innocent civilians over and over again.  Robert Greenwald has long been making meaningful films on current subjects of worldwide importance, this is his latest one showing the awful drone strikes – an eye opening documentary.

Here is a short clip:

http://www.bravenewfilms.org/nomoredronestrikes?utm_campaign=nomodrones_jus&utm_medium=email&utm_source=bravenew

The U.S. has conducted over 400 drone strikes on Pakistan – and the Bureau of Investigative Journalism has now found that fewer than 12% of people killed have been identified by available records as militants.

This confirms what Brave New Films already knows from our time in Pakistan filming Unmanned: America’s Drone Wars. While on the ground, we interviewed real people whose innocent relatives like an elderly grandma and beloved children were killed in drone strikes.

All of this makes it clear that U.S. Secretary of State John Kerry’s claim last year that only “confirmed terrorist targets at the highest level” were fired at is simply not true.

Additionally, these covert and murderous military strikes result in creating more and more enemies for the American people - who have little to no knowledge of the killings being carried out in our name. And this anti-American sentiment fuels terrorism.

We believe the US drone policy is immoral, often illegal and harms U.S. standing in the world. Stop the killing of innocent civilians in my name.

GET THE WORD OUT...

Arpa Film Festival in Hollywood

A Film Festival Not to be Missed

Halloween, pumpkin patches, and fallen leaves are images that come to mind when I think of autumn. The assortment of festivals are events associated with that time of the year. Among all Fall Festivals – from October Fest to Harvest Fest – there is one that I don't want to miss: that’s the Arpa International Film Festival.

Yes, I'm a diehard fan of that Festival.  Over the course of many years I've followed Arpa Foundation for Film, Music and Art events. Through watching many documentaries at its festival I've gained insight into the dynamic of global issues.

This proved true again last week, when the Arpa International Film Festival opened its doors on Thursday evening (September 26) to its faithful audience at the Egyptian Theatre in the heart of Hollywood.

At the festival, each year I try to watch as many films as possible. There are always at least one or two films that stand out. This year the opening night kicked off with "Lady Urmia," a 30-minute environmental documentary by Mohammad Ehsani, an Iranian filmmaker, about a dying lake in Iran called Urmia.

The subject of the documentary was close to my heart, because my mother grew up in Tabriz where the lake is. Like every Persian work I encounter, its artistic rendition accents the message. The film is narrated in poetic words by the lake itself. The lake tells us about its glorious past. Today, Urmia, the third world's largest salt-water lake, has lost 70% of its waters and is dying.

I went to Urmia once for a family vacation, fifty years ago. At that time, we enjoyed its beauty and swam in its salty waters. You could float in the water even if you didn't know how to swim. But God forbid if a drop of water touched your eyes!

The film shows boats, now abandoned and rusted, that we rode to travel from one end of the lake to the other. The trip took a whole day because the boats moved quite slowly. My two grandmothers were with us. We made them comfortable by giving them the seats on covered inside benches, while we rode outside under the scorching sun. Today, there are no more boat trips, and the water is too salty for swimmers.

Another notable documentary at the festival was "Heal America" by Yervand Kochar. It features advocate Ted Hayes, a black guy, who has dedicated his life to increasing sympathy and support for homeless people, and to making their voices heard. In 1985, Hayes left the comfort of his home and joined the homeless population in Los Angeles.  The film portrays his plucky and eccentric character, and shows him dressed in his signature white clothing and the flowing white robe. The audience pursues the discussion of Hayes and Alec, an Armenian cynical writer.  We learn Ted’s views of life through the dialog between him and Alec.

After the screening of the film, I had the chance to talk to Hayes.  He said that God and Scriptures motivated him to address the abject poverty of the homeless population. He said, "I may have a controversial personality, but what I say is the simple truth. We are connected to the pain of everyone in the world."  The self-proclaimed American "Gandhi" has high hopes that he will heal America from the wounds of slavery.

The film festival ended with a documentary about orphans of the Armenian Genocide.  It was an emotional visual portrayal of the subsequent lives of orphans who lost their parents during the death marches.  The children were housed in schools and orphanages of countries bordering Turkey. The never-seen pictures of orphanages put me in awe.

All in all, this year's full schedule of films once again encompassed the festival's core mission, which is cultural understanding and global empathy.  Kudos to Sylvia Minassian for having a vision to hold a festival where emerging filmmakers can screen their creative expressions. The Arpa International Film Festival audience is lucky to enjoy and learn from a variety of new works.

I cannot finish my review of the festival without mentioning the wonderful hospitality we received every night – a spread of delicious food. I'm already looking forward to next year!